



For the past eight years ArtSite Projects curator Kara Walker-Tome has been transforming a section of West Palm Beach, FL's Hotel Biba into an annual art event. Aptly named, Showtel turns hotel rooms into conceptual installations by challenging artists fill the spaces with everything from sculpture and performance art, without using the use of nails or adhesives. We recently had the chance to speak with Walker-Tome, who shed light on this clever exhibition.
When I moved to Florida after having lived in Los Angeles and New York, I was involved in the local art scenes of these metropolitan cities and I could not find an alternative art scene to speak of in Palm Beach County. I had been impressed and inspired many times in the past by installation shows in unique settings in LA and NY and I recognized that my new area was wide open for making a mark with an alternative art happening. So, I decided to put together a one-night show for local emerging cutting-edge artists in a hotel. Lucky for me the first one I approached said yes. That was eight years ago. So Showtel started as a small happening with a handful of artists and maybe a couple hundred people attended. Last year's seventh annual show featured twenty-five artists and attracted 2,000 people in one night.
I think the strict rules in place for installing Showtel installations in a working hotel accounts for incredible ingenuity. Essentially they have to put up and then take down their work as if they had never been in the room in the first place. The amazing thing is that they manage to come up with clever solutions and create visually intense environments whereby the whole room is engaged.
Curating from ideas is an acquired skill. I am choosing work that has not been created yet so I have to be able to visualize their concept and plan. I believe that ability comes from my initial training as an artist myself. I received an MA in fine arts from CalArts and then also have spent years reading hundreds of proposals, working closely with artists in the development and creation of their work, and finally—a bit of intuition!
I am quite excited this year to be working with artists from all over the state of Florida and even one coming from out of state. Showtel has traditionally attracted artists living close to Palm Beach County, but now artists from Miami, Ft. Lauderdale, Tampa and Gainesville are applying and getting accepted into the show. I hope it continues to expand nationally.
I can give you a handful of teasers about the pieces planned for this year. There will be a mythical forest, a wormhole grow room, a lunar/meteor space, a scene from a world populated only by sloths and unicorns and five of the installations will involve performance. It is going to be a very intense and dynamic show!
*This is kind of like the show that the Modern Hotel does every year! This show seems bigger then the one that we have here but i think that the idea is awesome and it looks great!
Installation by Halie Ezratty, Showtel 2008
The overtly handmade quality of these soft sculpture monsters, existing in this faux natural world made for a great aesthetic that had humor in it too. One of the monsters actually was a costume for a person who was walking around the room interacting with people. The concept was about corporations turning into huge monsters that are taking over the environment, so it made a statement to think about as well.
Lauren Jacobson and Cristina Sierra, Showtel 2006
This installation was like stepping into a surreal dream and it smelled like bubble gum too! The graphics on the walls and floor reference the packaging of "Hubba Bubba" gum and the artists found a brand of gum that the pieces looked like tiny colorful square sculptures. There was a huge pile of gum on the bed that dwindled throughout the night as people were allowed to take and chew one! The installation truly engaged all of one's senses.
Installation by Bradley Lezo and Denise Moody-Tackley, Showtel 2008
This is an actual bedroom sunken in the pool, complete with a tray of food on the bed, an area rug, lights that worked and even a TV that appeared to be on. It was an amazing feat and one of the most memorable pieces in the history of Showtel.
These utterly extraordinary sculptures are the work of Franz Xaver Messerschmidt (1736-1783). Messerschmidt was German-Austrian, and sculpted the heads in 1770-72. At this time he suffered from delusions and hallucinations, or a “confusion in the head” as his employer, the Viennese Academy of Fine Arts, described it. In 1774, Messerschmidt was expelled from the academy.
In 1781, Messerschmidt stated that the heads had been created as a record of his facial expressions on pnching himself to alleviate the pain of an illness he suffered, known now to be Crohn’s Disease. He intended to sculpt the 64 “canonical grimaces” of the human face using his own as a template.
Messerschmidt also claimed that he was physically tortured by “the Spirit of Proportion”, an ancient being who guarded the knowledge of harmony and who was angered by Messerschmidt’s disharmonius work.
Julian Beever is a well known street art artist. His work was ephemeral because he did all of this drawings in chalk. Beever’s artwork is preserved through photographs. His creations, when viewed from the right angle, create an illusion of depth. Since the 1990s, Beever has created many astounding images on sidewalks and streets as a freelance artist. His genious has been employed by many corporations for promotional purposes.
Make Poverty History (July 2005, Edinburgh) I like not only how this creation looks, but also the meaning behind it. This piece is ephemeral because it can be easily removed or worn away.
Politicians Meeting Their End (England, 1997) This piece is humorous but also has a serious meaning behind it. It looks so realistic, like there is really a hole in the sidewalk. Because this piece is not in a permanent state, it is ephemeral.
Meeting Madame Butterfly (Mexico City) This is one of my favorites of Beever’s. The first time that I looked at this piece, I really thought that it was some kind of butterfly suspended in the air. It took me a second to realize that it is completely flat. Gorgeous and very believable. It is almost unfortunate that this ephemeral piece cannot stay.
Another artist who specializes in ephemeral art is Kurt Wenner. Wenner began his street painting career in 1982 in Rome. Like Beever, Wenner is influenced by a techqnique called anamorphism. Anamorphism is the technique used to create the illusion of height.
The Giant. I was unable to find the time or place this work was created. It is unbelievable. The size and detail are breath taking. This piece follows the technique of anamorphism as well as being ephemeral.